Description

I have moved to a fully computer based set up as a source. No transport and none of those shiny disks any more.

The system has an open, huge soundstage, with very clean, tight bass that dives deep into two figure Hz.

The sound is very powerful and dynamic. Extremely detailed, but still warm, musical and believable and easy to listen to. With the right recording a reach out and touch holographic image and soundstage is possible.

I have been through quite a lot of equipment. I am and was a huge Audio Research fan for years, and I used their tube monos/preamps with great happiness.

I have pretty much always had planar speakers until recently. So I needed powerful amps to drive Magnepan2.6R/3.6R and Apogee Diva/Duetta sig etc.

I have moved to high sensitivity speakers in the form of the Avantgarde Trios now. This has enabled a move to very low powered SET amplifiers which has been great fun.

I have been searching for equipment that keeps the music free of colour and true to the recording. I believe you choose your source for its sound. The rest of the equipment should let the source do its magic as much as possible and get out of the way of the music.

Happy listening
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Components Toggle details

    • Yamamoto A08s
    This unit is modified with Mundorf silver/gold in oil caps, Mundorf tube cap, and Duelund VSF Cu caps. I use Emission Labs mesh plates 45 power tubes. A very refined and beautifully natural sounding amp. Very transparent.
    • DCS Scarlatti clock
    Finest player in the world
    • Avantgarde Trio
    19 ohm 109db/watt with 225 subs
    • DCS Scarlatti
    State of the art number crunching.
    • PS audio Premier Power Plant
    Power regenerator.
    • Analysis plus Golden oval XLR
    Beautiful cable. Amazing detail and still warm and life like
    • Audio Magic Stealth XXX oyaide
    Specially made with Oyaide XXX sockets and furutech input. Much more detailed than the Hydra it replaced
    • Apogee Duetta signature2 Heavily modified
    These have the latest Graz ribbons both tweeter/mid and bass panels. I have external cross overs with mundorf silver/gold in oil caps and Alphacore foil inductors. Caddock resistors and all solid core silver wired. All suspended and vibration free. These apogees take much more power and go way louder and have much better dynamics than the original. Not only that but much improved sound quality.
    Simply stunning! I have had many planars magnepan etc but these really are the best in every way now. Long live Apogee and Thank goodness for Grazs search for perfection!
    • Virtual dynamics Revelation 2
    This must be one of the only cables I have heard that when compared to cables that seem to "do nothing" or just pass signal untouched this cable does lots but in a good way! A staggering solid detailed sound, but a nightmare to plug in due to its size, weight and stiffness.
    • Virtual dynamics Master LE
    Very nicely focused cable with very low noise floor. The best bass I have heard and startling dynamic speed
    • Oyaide SWO XXX/SWO GX
    Its own spur and conditioned with various filters along the way before reaching the Stealth
    • Acoustic Revive RR-77
    Sends out a very low frequency into the room which disrupts RFI EMI and makes you feel relaxed! Very odd but works well Seems to focus the mid range
    • Sonic studio Amarra
    Bolt on for itunes
    • Auralex Lenrd Bass traps
    I have 8 of these traps placed subtly in the corners of the listening room. They have done a very good job in a room that had quite tight bass anyway.
    • Weiss Medea plus
    Latest super DAC. Volume control on Firewire input. Variable output voltage to match amps. stunning DAC

Comments 359

Showing all comments by florianw.

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Hi Esotheric,

i'd rather make love to my girlfriend. She is far more interesting then some audio n00bs trying to get someones attention on an audio forum. Your loss, not mine :-)

Cheers man

florianw

Dear Esotheric and Mapman,

i have no interest in posting (again) pictures of my setup. It is very unique and i am the only public owner of an Apogee Grand.

Here is the rundown: (i wrote this down before, so i just copied it)

* 89in tall
* 35in wide
* 47in deep
* 1300lbs per side
* 4 way speaker

1. Subwoofers are big brothers of Krell MRS
2. Speaker sits on "pured aluminium base"
3. Speaker frame is made out of steel
4. Two computer displays mounted inside the speaker shows status info and user settings
5. User can via remote control change volume level, rake, phase and presets of each driver
6. 4 Krell KAS Monoblocks build in for Subwoofer and Tweeter rated at 600 watts each with external powersupplies.
7. Crossover frequencys are 70Hz,250Hz and 9000Hz
8. Measured with Tact RCS 2.2XP inroom response is flat to 9.6Hz and signal stops at 7.8Hz
9. 17 pairs exist worlwide (2 in Israel, 1 in Germany (mine), 1 in Belgium (for sale), 1 in Bangkok, 2x in USA, 1 in Moskau) and i am still looking.
10. They also employ a motion sensor on the bass ribbon which then gets syncronized with the subwoofer! The sensor measures the foil excursion!

Here are some pics of the movement to my new place.

http://www.websitetoolbox.com/tool/post/tubehifi/vpost?id=2797745

Enjoy

PS: I dont toss stones, but know a ton about Apogee users, placements and many models.

florianw

Esotheric and Chad is dont own the Studio Grand! is own The Grand! 2.3meter tall, 4way!!! you guys dont even know the Model but claim to know something about apogees. lol

florianw

Dear Esotheric,

long story short:

I own currently Apogee Stage, Apogee Caliper, Apogee Grand

I used to own Apogee Scintilla and Apogee DIVA

... The Scintilla, DIVA, Caliper and Grand have NEW ribbons. The ribbons in my Grand are unique as they are made specifically for the magnetic field! One of a kind, uniqe and special order from Graz. I used both stock passive and new active crossovers.

I dont believe you know the Grand, but thats ok, almost noone does as it was never for sale in a store etc.. While the Fullrange was 18K the Grand cost more then 85K and was to special order only. 17 pair exist and only 8 owners worldwide.

With over 6 KW of power, fully active crossover network with display, remote control and a 4 way system employing 2 Krell Master Reference Subwoofers it makes the Fullrange sound like a toy!

No offense, i love all Apogees and own many. And i wish Chad and Vince a lot of fun with their systems, but i been there and know their limits while they do not. No offense!

PS: The Grand does over 120db per side at 4 meter distance, from 7.5Hz on up (measured in room - my room)..... For "real" comments about this system search for the user "Morricab" under the Planar Asylum and Apogee Grand. He heard a pair actually.

I agree that most Apogees cannot with real power and dynamics put a drumset in your room. The Grand is very uniqe and can easily hold a match to a fully blown horn system.

Cheers

florianw

Thank you, i think the same about you and Vince too!
You position yourself and your opinions and state them as facts while i dont think you are in a position to do so. You talk about new ribbons, crossovers, class-d etc... i have been there, done that.

You just dont like it that when it comes to new ribbons, crossovers and apogees i simply dont take your "word" for it....because my experience is much vaster then yours or Vinces. And you dont like that....well..too bad!

florianw

Dear Esotheric,

i own the Nr.7 Apogee Acoustics GRAND. I used to own Apogee Caliper, DIVA, Scintilla and more. My dedicated listening room is 40 feet long and 28 feet wide. It is backed up by a 160 Ampere @ 230Volt line for 8 amplifiers. All of my Apogees use new GRAZ ribbons, my Apogee Grand uses GRAZ Meridian Mapped Ribbons ( one of a kind, the ribbon is made specifically for the magnetic field in my Grands).

Please, dont asume things about me. Feel free to write me at [email protected]

PS: My experience with Apogees, new ribbons and crossovers is far higher then Chads, Vinces etc...

florianw

I guess this is me. When both of you have "reached" a speaker that can actually tell you what all your stuff is doing, we can talk again. Both of you have "good" but not best or let alone "ultimate" speakers, neither the rooms or acoustics. Chads room is way too small and the placement is crap! Vince has a decent room but horrible acoustics.

Both of you "display" and attitude that is frustrating. Thats why you BOTH talk to each other, but noone else replys. LOL

PS: The Duetta while great has a LOONG way to go up the line (DIVA, Scintilla, Fullrange, Studio Grand etc....

PS for Vince: Your Scinitllas are great, but they aint no Fullrange.....let alone anything more complex and larger. You "asume" you know what sounds real, but your speakers can never play "real"...... simply not possible from your speakers.

Quote of the day "The greatest super cars from the 1970s and 80s would easily be beaten by an average modern family car these days."

<---- and what does an mid-80's midrange speaker from Apogee do with super modern class D amps?

florianw

Chad,

i dont question your resolution. I know what resolution you have, i know what speakers you have etc... I am simply asking you to please stop with this class D fighting. We respect your choice of class D amplifiers, and expect you to fully understand why we choose not to buy it. We simply do not like class d amplifiers and nothing you or Vince says, will change that.

And please for the love of god, read up on Vinces track record. Do not fall in with the wrong crowd.

Best of luck

PS: And about resolution, i am not kidding on this, we are worlds apart. No offense!

florianw

Hi Chad,

its nice that you are repeating a lot of what Graz says, but the chages are not as dramatic as you might think. I have here a pair of Caliper Sigs., DIVA Reference, Grand and owned Scintillas also. I tried Big Class A monos, Class A/B hybrids, class D. I also have heard extensively CD players and TT's from Forsell and Goldmund, and there is no way i would put a class D amp on a high resolution pair of Apogees.

There are no laser cut ribbons, the ribbos you have in your Duettas are cut with a rotating knife, controlled by a plotter. The Kapton and Aluminium is the same, the magnets are the same and the glue is identical. You do get more "exact" cuts in the corners, but thats it.

I have two friends close by with rebuilt Duettas (same as yours), one friend with a rebuilt Scintilla, and more with rebuilt Fullranges and DIVA. So believe me, i know the difference between a stock ribbon and Graz CNC cut ones. ;-)
Apogees where built with horrible qualitys back in the day, with huge tollerance on the frame, magnets etc. and a 1mm difference in the cuts make close to no difference. I would recommend that you try your class d amps on one of the higer resolution speakers from Apogee like the Fullrange. I think you might be suprised ^^

Muralman with always agree with you when it comes to Scintillas or Class D amps, i suggest you check out his "track" record on this and other sides, just to make sure you know what you get yourself into.

Best of luck

Flo

florianw

"What other technology would you want that is that old or is still relevant in the 21 century?"

How about "ribbons", its from the 20's ;-) I am a tube guy and have not heard any class d amp that i would buy. But its all about tastes!

Cheers mate

florianw

Welcome to the Apogee club :-)

Enjoy

Flo

florianw