i am lucky that my system is in a place i can play it loud if i want and i can get back from it because the sound stage doesn't focus until you are 20 feet back.
every piece i add i think i got it, until i add the next piece.
so all i can say is a friend was listening with me to a mono Miles Davis ESP and she said we have a private performance.
the next thing i want to add is am tone arm. i would move the ortofon to mono and put the dynavector on some arm worthy of that great cart.
big heavy turntable with two arms as dependable as the atomic clock.
Aspara Acoustics HL
Two-way full range horn loudspeaker Frequency Response: 30Hz to 20 kHz Upper Range: 2-inch titanium compression driver loaded by a radial horn Bass: 12-inch driver supported by a 42-inch folded horn Horn configuration type developed by Aspara.Horn mouth is situated at floor level, mouth area 4 square feet Crossover: high frequency first order and bass is second order Cabinet: Engineered birch cabinet
leben CS-600
integrated amplifier with a choice of 28 or 32 watts of wonderful tube power, depending on which tubes are used. Through a selector switch, one can use either 6L6GC for 32 watts, or 6CA7 (EL34) for 28 watts
ortofon 12inch
stability for a touchy decca
pure sound mm phono stage
smooth but strong stage.
tron step up
it works and it can take both arms. there is a switch.
Miya-jima laboratory. premium mono
"The premium" is a high-quality vertical axis concentration method. obstinate wood for a body.
